The woman’s face blurred and smeared as I pivoted the camera on the tripod. Then her familiar, photogenic features—features I’d seen a thousand times on my television screen—whirred into autofocused perfection: wavy honey-blond hair, indigo eyes, a model’s cheekbones, polar-white teeth outlined by Angelina Jolie lips. Knoxville news anchor Maureen Gershwin was forty-two—middle-aged, technically speaking— but she was a low-mileage, high-dollar version of forty-two. She was beautiful and vibrant and healthy-looking, except for one minor detail: Maureen Gershwin was dead.
“Pardon my cynicism,” said Miranda, “but I can’t help noticing that out of dozens of corpses to choose from, you’ve picked one worthy of Victoria’s Secret for your little photo shoot.”
Miranda Lovelady was both my graduate assistant and my
self-appointed social conscience. A smart, seasoned Ph.D. candidate in forensic anthropology, Miranda was a young woman of liberal opinions, liberally dispensed. We didn’t always see eye to eye, but five years of collegiality and camaraderie tempered our occasional personal differences. One of Miranda’s duties was running the Anthropology Department’s osteology laboratory, the bone lab tucked deep beneath the grandstands of the University of Tennessee’s football stadium. Miranda also helped coordinate the body-donation program at the Anthropology Research Facility—“the Body Farm,” UT’s three-acre plot devoted to the study of human decomposition. By studying bodies as they decayed in various settings and conditions, we’d gained tremendous insights into postmortem changes—insights that allowed forensic scientists all over the world to give police more accurate time-since-death estimates in cases where days or weeks or even years elapsed between the time someone was killed and the time the body was discovered.
Despite the rural-sounding name, the Body Farm was beginning to resemble a city of the dead, at least in population density. The number of bodies donated to our research program had grown steadily—from a handful a year in our early years to well over a hundred a year now. Scientifically, the population boom was a bonanza, but it was also an embarrassment of riches: The facility was rapidly running out of elbow room—and rib-cage room, and skull room; lately Miranda had taken to mapping the location of each body with GPS coordinates with just a few keystrokes, she could print out an up-to-the-minute map of our postmortem subdivision. The technology helped us keep track of where we’d already put people, and it also helped us pinpoint patches of unclaimed ground on which to house new residents. Unfortunately, the patches of unclaimed ground were becoming scarce and small.
From the book THE BONE THIEF: A Body Farm Novel by Jefferson Bass. Copyright © 2010 by Jefferson Bass. Reprinted by permission of William Morrow, an Imprint of HarperCollins Publishers.
With The Bone Thief, Jefferson Bass returns with another authentic and knuckle-biting thriller in the acclaimed Body Farm series.
During a routine exhumation, Dr. Bill Brockton is surprised to find the corpse’s limbs have all been amputated! Bafflement turns to shock, however, as he and his colleagues uncover a flourishing and lucrative trade in illegal body parts. Brockton is drawn into the ghoulish enterprise when the FBI taps him for a sting operation that disturbs him far more than any decomposed body—he’s to sell donated cadavers on the black market!
Adding to his stress is a new wrinkle in the murder investigation of a Manhattan Project scientist—an unexpected and very personal development that sends Brockton reeling. But he isn’t the only one struggling with the aftermath of their last case. After being exposed to a massive dose of radiation during an autopsy, Brockton’s colleague, Knoxville Medical Examiner Eddie Garcia, lost one hand and most of the fingers of the other…and his only chance for a hand transplant may lie with a body broker. Now, Brockton faces an agonizing decision: Will he help the feds nab the postmortem chop shop—or help his friend and betray his own principles?
Hardcover : 368 pages
Publisher: Morrow ( March 23, 2010 )
Item #: 12-946466
ISBN: 9780061284762
Product Dimensions: 5.5 x 8.25 x 0.875inches
Product Weight: 14.0 ounces (View shipping rates and policies)

This book is just as good as his other books. He keeps you hanging through the end of the story. I like his sense of humor that many professors I have had in college could use some. What people must realize is this is a story for fun and Dr. Bill Bass does a great job bringing out and describing each character's personality and their emotions. He makes you feel like you are sitting there with the characters. A hard book to put down!
Reviewer: Jeanne
This is the first book I've read by these co-authors. The story moved along nicely. Good storyline and a little humor mixed in. I'd give it a B. Will definitely read the next book in the series.
Reviewer: Stacey H
I just can't help but feel that the characters in this book series are becoming more immature with each succeeding book. I know it's just fiction, but really! Brockton acts like a child half the time with these bizarre situations he finds himself in. Furthermore, if my graduate assistant acted toward me the way that Miranda acted toward Brockton, I would have fired her. Anyway, I'm not impressed.
Reviewer: Mary M
I have read all the books in this series. I liked it.
Reviewer: mandy
"what a scamp"?? I had planned on purchasing this book, until I saw the previous reviewer use that line. That makes Brockton and this whole book sound silly. I think I'll pass. Thanks a lot, Madeline.
Reviewer: Cindy
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