On his third birthday, Milo declared, "We're gonna rescue a doggy."
Penny and I assumed he was acting out something he had seen on TV, but he was a preschooler on a mission. He climbed onto a kitchen chair, plucked the car keys from the Peg-Board, and hurried out to the garage as if to set off in search of an endangered canine.
We took the keys away from him, but for more than an hour, he followed us around chanting, "We're gonna rescue a doggy," until to save our sanity, we decided to drive him to a pet shop and redirect his canine enthusiasm toward a gerbil or a turtle, or both.
En route, he said, "We're almost to the doggy." Half a block later, he pointed to a sign-animal shelter. We assumed wrongly that it was the silhouette of a German shepherd that caught his attention, not the words on the sign. "In there, Daddy."
Scores of forlorn dogs occupied cages, but Milo walked directly to the middle of the center row in the kennel and said, "This one."
She was a fifty-pound two-year-old Australian shepherd mix with a shaggy black-and-white coat, one eye blue and the other gray. She had no collie in her, but Milo named her Lassie.
Penny and I loved her the moment we saw her. Somewhere a gerbil and a turtle would remain in need of a home.
In the next three years, we never heard a single bark from the dog. We wondered whether our Lassie, following the example of the original, would at last bark if Milo fell down an abandoned well or became trapped in a burning barn, or whether she would instead try to alert us to our boy's circumstances by employing urgent pantomime.
Until Milo was six and Lassie was five, our lives were not only free of calamity but also without much inconvenience. Our fortunes changed with the publication of my sixth novel, One O'Clock Jump.
My first five had been bestsellers. Way to go, Angel Ralph.
Penny Boom, of course, is the Penny Boom, the acclaimed writer and illustrator of children's books. They are brilliant, funny books.
More than for her dazzling beauty, more than for her quick mind, more than for her great good heart, I fell in love with her for her sense of humor. If she ever lost her sense of humor, I would have to dump her. Then I'd kill myself because I couldn't live without her.
The name on her birth certificate is Brunhild, which means someone who is armored for the fight. By the time she was five, she insisted on being called Penny.
At the start of World War Waxx, as we came to call it, Penny and Milo and Lassie and I lived in a fine stone-and-stucco house, under the benediction of graceful phoenix palms, in Southern California. We didn't have an ocean view, but didn't need one, for we were focused on one another and on our books.
Because we'd seen our share of Batman movies, we knew that Evil with a capital E stalked the world, but we never expected that it would suddenly, intently turn its attention to our happy household or that this evil would be drawn to us by a book I had written.
-From the book, Relentless.
Dean Koontz has proven time and again why he’s “a master of the edge-of-your-seat, paranoid thriller” (Newark Star-Ledger). But Relentless puts the bestselling author in a league of his own as he explores the razor-thin line between the best and worst of human nature. Cullen "Cubby" Greenwich is a bestselling novelist who has everything he’s ever dreamed of—married to the love of his life, a genius child, even a great dog. On the heels of a bad review for his latest book from notoriously reclusive critic Shearman Waxx, Cubby has an accidental encounter with the poison-pen critic. And suddenly life takes a sharp 180-degree turn to the dark side. Waxx begins terrorizing Cubby's family and threatening slow and grisly deaths for each of them. But the seemingly hapless Cubby and his loved ones have more resilience than Waxx realizes—and they are not about to let a crazed, bow-tie-wearing psychopath destroy everything they hold dear. “Koontz is working at his pinnacle, providing terrific entertainment that deals seriously with some of the deepest themes of human existence: the nature of evil, the grip of fate and the power of love" (Publishers Weekly, starred review).
Hardcover: 368 pages
Publisher: Bantam Books, Inc./Div. of Random House ( June 09, 2009 )
Item #: 48-6834
ISBN: 9780553807141
Product Dimensions: 5.5 x 8.25 x 0.88 inches
Product Weight: 14.0 ounces

Mr. Koontz has written better books. This book is an amalgamation of fantasy and the supernatural with thriller with political diatribes on the evils of the internet and current Western culture (as though the current culture is a monolithic and homogenous entity). It felt like reading a silly sermon at times. I was not impressed.
Reviewer: Bonnie D
this book was a little hard to get into but it turned out to be an excellent book
Reviewer: brenda s
I have read nearly all of Koontz's books and loved all of them, this one included.
Just when you think you can put it down, you have to read the next chapter.
This book is FICTION and not reality. So, enjoy.
Reviewer: Rose M
I've read most of the books Koontz has written, and his books range from scary to spooky. This time he has ventured into the world of absurd. I read about 80 pages and was disgusted and couldn't care less about the goofy characters and their nonsensical names. What a waste of paper!
Reviewer: Judy S
Maybe if mr kontz spent less time describing the clolor of the carpet and he cabinets in his characters houses hr focus more on his storyline. This book was just simply silly and unbelievable I know koontz is capable of better.
Reviewer: deltarn